Tag Archives: fantasy

Top 15 Comedies Ever! (IMO, anyway)

Yeah, I sorta fell off the earth there for a couple of weeks, but I think I’m kinda back now. Knock on wood. And how better to celebrate the return than with the long-delayed rollout of my personal Top 15 Comedies? So here we go….

* 15.  Fantastic Mr. Fox, 2009. I had no real expectations going into this movie and was basically blown away. From  the stop-action animation to the perfection of the voice casting to the utter delight of the story itself… I don’t really see how you could ask for more in a non-live-action comedy. If you haven’t seen this, or skipped it as “a children’s movie,” do yourself a favor and watch it.

* 14. Beetlejuice, 1988. There’s just something about this movie that is absolutely delightfully funny. And kinda gross.  But really really funny. A recently deceased couple brings in a “specialist” (Michael Keaton as Beetlejuice) to run their awful relatives out of their now-abandoned house. Nuttiness ensues. And you’ll never hear “The Banana Boat Song” again without wanting to dance around a table…. or float!

* 13. Tropic Thunder, 2008. Apparently Tropic Thunder  is one of those movies that you love or hate. Some people near to me  really don’t like  it, finding it gross and offensive.  While  I’m usually among the first to take offense, this movie just kills me.  I laugh so hard every time I watch it that I nearly need an oxygen tent.  Everybody in it is hysterically funny, from the people you’d expect like Jack Black, Ben Stiller and Danny McBride, to the much less expected like Tom Cruise and especially Robert Downey Jr. RDJ plays the controversial role of an award-winning white Australian actor playing a black  American soldier in Vietnam, and he absolutely nails it. I could say more, but just go watch the movie.  You’ll  love it unless you hate it. LOL

* 12. Fargo, 1996. In which Frances McDormand became one of my acting heroes as massively pregnant Minnesota sheriff Marge Gunderson. And the always terrific William H. Macy is perfection as the put-upon husband who waffles  about a crime involving his wife. Steve Buscemi is his usual excellent nervous bad guy. It’s a Coen Brothers movie, what can I say?

* 11. Groundhog Day, 1993. One of those rare movies that gets better every time you see it. Bill Murray (in his best work, IMO) is a local weatherman doomed to relive Groundhog Day endlessly until he figures something out. It’s sweet and snarky and hysterically funny, and I love  it.

* 10. Toy Story. Here’s my one big cheat: I’m making Toy Story 1, 2 and 3 a single entry, because I don’t see how anyone could possibly rate one over the others. These movies are pure genius from start to finish, and if you don’t laugh until you cry… and then cry until you can’t see … you basically don’t have a heart. And should  maybe get that checked out.

* 9. Tootsie, 1982. Yeah, it’s aged a bit. And the idea of a man in drag maybe isn’t as funny as it once was. But this is still a terrific piece of comedy with an outstanding cast from top to bottom. I laughed so hard at it in 1982 that I nearly ruptured myself. 😀 Maybe it’s  not quite as funny now, but it’s still sweet and a wonderful piece of ensemble comedy acting.  “I’m just afraid you’re going to burn in hell for all this.” “You WERE A TOMATO! A tomato doesn’t have logic!” “… I was a better man with you, as a woman, … than I ever was with a woman, as a man.”  God bless you, Dustin Hoffman.

* 8. Some Like It Hot, 1959. Jack Lemmon and Tony Curtis, on the run from the mob, dress in drag and join an all-female band going on the road. With Marilyn Monroe. Hilarity ensues, but some of the best involves Jack Lemmon’s female and male characters and eccentric millionaire Osgood Fielding III. Which leads to one of the best conversations ever…

Jerry: Oh no you don’t! Osgood, I’m gonna level with you. We can’t get married at all.
Osgood: Why not?
Jerry: Well, in the first place, I’m not a natural blonde.
Osgood: Doesn’t matter.
Jerry: I smoke! I smoke all the time!
Osgood: I don’t care.
Jerry: Well, I have a terrible past. For three years now, I’ve been living with a saxophone player.
Osgood: I forgive you.
Jerry: [tragically] I can never have children!
Osgood: We can adopt some.
Jerry: But you don’t understand, Osgood! Ohh…  [Jerry finally gives up and pulls off his wig]
Jerry: [normal voice] I’m a man!
Osgood: [shrugs] Well, nobody’s perfect!

* 7. The Birdcage, 1996. Robin Williams and Nathan Lane as a gay nightclub owner and his diva partner who agree to pretend to be straight for a long weekend so that their adult son can bring home his fiancee and her uber-conservative parents for a visit. Hank Azaria steals large chunks of the show as the gay couple’s Guatemalan houseboy. Based roughly on the French “La Cage aux Folles.” Ultimately, it’s a movie about family and love, and I can watch it over and over. “I pierced the toast!!”

* 6. Zoolander, 2001. Another  guilty pleasure, but this movie and it’s dumb-bunny fashionistas just slays me. I laugh so hard at the “walk off” that it actually hurts. “I’m pretty sure there’s more to life than being really,  really ridiculously good-looking…” “So join now, ’cause at the Derek Zoolander Center For Kids Who Can’t Read Good And Wanna Learn To Do Other Stuff Good Too, we teach you that there’s more to life than just being really, really, really good looking. Right kids?” And who could forget, “BLUE STEEL!”

* 5. Galaxy Quest, 1999. Imdb decribes it as “The alumni cast of a cult TV show have to play their roles as the real thing when an alien race needs their help.” But y’know, that just doesn’t begin to cover the awesome crazy nutty perfection of this movie. Anybody who’s ever been a fan, or been to a con, or loved something science-fictional with a love that defies explanation adores this movies. Most of us, anyway. From Tim Allen’s drunken captain to Sigourney Weaver as the (of course) communications officer in a mini-dress who can’t do anything else, to Tony Shalhoub’s slow but genius engineer to (especially) Alan Rickman as the generic facial prosthetic alien science officer, every single cast member is perfect. The adventures are funny and rollicking and just nutty enough… And there’s heart, big unexpected heart. “By Grabthar’s hammer… you shall be …. avenged!”

* 4. The Big Lebowski, 1998. I’m not sure it’s possible to give a pocket capsule of this masterpiece’s plot.  Suffice it to say that a case of mistaken identity results in the spoilage of a rug that really tied the room together. And it goes on from there. Jeff Bridges is masterful as The Dude, and his bowling buddies John Goodman and Steve Buscemi are  horrendously perfect. Add Phillip Seymour Hoffman as a flunky-like flunky and John Turturro in possibly the best  tiny part ever in a movie, as the rabid bowler Jesus (“Nobody fucks  with the Jesus.” and you’ve got a big old steaming pile of awesome. “Careful, man! There’s a beverage here!”

* 3. Ghostbusters,  1984. The one, the only, the original… often copied, never duplicated. Jeez, but I love this movie. The classic trio of Bill Murray, Dan Ackroyd and Harold  Ramis take on the ghosts of New York, including one very irritated demi-god named Zuul, and the end of the world turns out to include a really really big Marshmallow Man. The classic lines are endless. “I’ve been slimed.” “There is no Dana,  there is only Zuul.” “That’s a big Twinkie.” “This chick is TOAST!” “Human sacrifice! Dogs and cats living together! Mass hysteria!” “Sorry…  I’m terrified beyond the capacity for rational thought.” “We came, we saw,  we kicked its ass!” And of course, the ever-important, “Don’t cross the streams!”

* 2. Raising Arizona, 1987. Seems the higher up the list I go, the more I hit things that are either loved or hated.  This was my very favorite comedy for many years. Nicholas Cage (never one of my favorites) and Holly Hunter (always a favorite) are a sad-sack, down-on-their-luck couple who can’t have a baby. Then a local bazillionaire’s wife has quints and a wonderful, terrible plan is concocted. With five babies, they surely won’t miss one. And so begins the nutty, quasi-apocalyptic adventure of “Raising Arizona.” Another one from the Coen Brothers (I’m seeing a trend.) Another one with great lines: “Turn to the right…. turn to the left…” “You’re young and you got your health. What you want with a job?” “Sometimes it’s a hard world for small things.” “Son, you got a panty on your head.” “Edwina’s insides were a rocky place where my seed could find no purchase.” “Now get up there and get me a toddler!”

* 1. Airplane, 1980. Everyone on the plane is sick except the one passenger who is afraid to fly. Mwahahahahahaha!

C’mon, do I really have to say anything? This is possibly the funniest 90 minutes in history, and it’s still funny 32 years later. If this movie doesn’t make you laugh, something is seriously wrong with your tickle box.  ;D

“Stewardess, I speak jive.”

“And Leon is getting laaaarrrrggggeeeeerrrrr!”

“Joey, do you like movies about gladiators?”

“Joey, have you ever been in a … Turkish prison?”

“Looks like I picked the wrong week to quit drinking. (smoking… sniffing glue… amphetamines)”

“I am serious…  and don’t call me Shirley.”

“This? Why I can make a hat, or a brooch, or a pterodactyl…”

And now I’ve had enough second-hand giggles to hold me for a day or two. Hope you’ve enjoyed this. And share some of your favorite comedies in comments! Agree, disagree, open up new things I haven’t considered. And thanks for hanging around here, at least for a while.

Advertisements

2 Comments

Filed under media consumption, personal

Oh, The Horror, Part 2

And now, back to the scary scary stuff! Woohoo!

Actually, probably not so scary by most people’s standards, but I’m returning to the list  of movies that have scared *me,* one way or another, through the years.

And for the sake of complete honesty, I’ll start with a couple that aren’t actually so awfully horrifying. In fact, they’re more funny than scary, but I enjoyed them just the same. “Tremors” and “Army of Darkness.” Both of these are gory, but they’re just so damn gleeful that it’s impossible to take them seriously. Another one along the same lines is “Shaun of the Dead,” which gave me the giggles but gave my daughter the serious creeps and she refuses to watch it again. So your mileage may vary on these. Oh, and “The Frighteners,” a very early Peter Jackson movie that’s light on the horror and heavier on the silly.

* The Stand, 1994. The is the TV miniseries version, but I think they got it pretty well. “The Stand,” the book, scared the beejeezus out of me the first time I read it and still does. The opening scenario of the experimental flu virus that “gets loose” is enough to keep me awake at nights, moreso now than ever.

* Prophecy, 1995. I first watched this because it’s a Viggo movie. Hey, I’m not too proud to admit it. But it’s kinda grown on me. It has some of my favorite angels ever, both good and bad. And the best Lucifer on film, and I don’t say that  just because it’s Viggo. LOL He’s creepy in an entirely different way than I’d ever imagined, and I like to be surprised.

* The Craft, 1996. This one’s a guilty pleasure. I only watched it to see if they got anything at all about the Craft correct, and the answer is, not so much. But it’s kinda fun watching girls wreak havoc. Hey,  I never said I wasn’t shallow. 😀

* From Dusk Til Dawn, 1996. You will believe George Clooney and Harvey Keitel, of all people, can fight vampires. And you will believe that Santanico Pandemonium could turn the straightest of  straights into something more… open-minded.

* American History X, 1998, while not technically a horror movie, is one of the most horrifying things I’ve ever watched.  It made me queasy and I felt like somebody had been punching me in the gut when it was over. I honestly can’t recommend it, but I think everybody in the United States should be forced to watch it. How’s that for a mixed signal?

* The Ring, 2002. I honestly can’t believe I watched this. This is the one with the drippy chick in the well, right? It was more or less a BOO movie. I guess I just expected more from Naomi Watts, an actress I generally enjoy. I guess if you had to remake this, you’d have to do it with haunted DVDs, right?

* Dark Water, 2005. This one gets no love, basically. But I thought it was quite creepy, my favorite kind of scary movie. And well acted, by Jennifer Connelly, John C. Reilly and Tim Roth.

* The Exorcism of Emily Rose, 2005. I really enjoyed this one because it’s set up unlike anything you’d expect. It focuses on the lawyer hired to represent a priest accused  of negligent homicide because of the death of a young woman during an exorcism. During the course of the trial, the story of the girl’s problems and the attempted exorcism is revealed. The priest is played by Tom Wilkinson, a fine British actor, and his lawyer is played by Laura Linney. Good movie.

* Bug, 2006. Yeah, now this one is creepy and unnerving. Ashley Judd and some dude I don’t remember are a sort of odd couple stuck together in a cheap motel room. He’s a war vet and she’s just sad and lonely. And then there’s a bug infestation. Or maybe there isn’t. Maybe it’s real, or maybe it’s a shared hallucination, but either way it’s entirely claustrophobic and unnerving to watch.

* The Host, 2006. A Korean horror movie with subtitles  that’s kinda entertaining but I didn’t see what the big deal was.

* Silence of the Lambs. Watch it. I can say no more.

* I Am Legend, 2006. The second half of this movie devolves into a fairly standard monster  movie, but the first half is possibly the best, most moving, most affecting depiction of the mental and emotional devastation of loneliness I’ve ever seen. Highly recommended.

* The Orphanage, 2007. A Spanish movie about ghosts that is truly disturbing. At least I thought so. But then, I also loved  the Nicole Kidman movie “The Others,” so take it however you want.

* Sweeney Todd, 2007. Okay, technically it’s a musical rather than a horror movie, but come on… murderer upstairs and chick making meat pies out of his victims downstairs. That’s pretty awful, I’d say. And hey, Johnny Depp can sing. Who knew?

* Let the Right One In, 2008, the Swedish original. Very haunting. Very disturbing. The U.S. remake in 2010, “Let Me In,” is also good, but I recommend the original.

* The Road, 2009. A man tries to keep himself and, especially, his young son, alive in a post-apocalyptic world as they search for some remnant of civilization. Based on Cormac McCarthy’s devastating novel, this movie is just as wrenching. I highly recommend it, but not  when you’re depressed already.

* Testament, 1983. I saved this one for last because it might be the one that has haunted me the most of all the scary movies I’ve seen. “Testament” is the story of a family trying to hold together and survive in the aftermath of a nuclear tragedy.  If you’ve ever been tempted to dismiss the horrifying aftermath of nuclear fallout (say, for instance, you watched the TV show “Jericho,” which I enjoyed but boy did they sugarcoat the reality of nuclear aftermath), this movie will change your mind forever. I personally think this should be required viewing in every high school. But that’s just my opinion.

Now, tell me what I missed! 😀

2 Comments

Filed under media consumption, personal

Oh, the Horror! Part 1

I like scary movies. Sometimes. Some kinds of scary movies. I’ve been thinking about movies that I actually found scary, and it’s not as many as you might think.

First, here’s how I categorize scary movies:

1 – The “BOO” movie. These are the ones that count on surprising you to make you jump. You know those horrible videos that make the rounds on the internet, where you’re told to watch something harmless “VERY” closely and you’ll see some small thing, like an animal or a ghost or whatever? So you’re watching closely and suddenly some awful monster image shrieks into the screen and scares the bejeezus out of you? That’s a BOO scare.

I hate those. If I think it’s nothing but a BOO movie, I  won’t watch it.

2 – The Gross-Out movie. These are the movies that count on gore, death, gory death, close-ups of mutilations and gory tortures and the like and call it scary. No. Not scary. Gross and disgusting, yes. Vomitous, yes. I’m looking at you, “Saw” and “Hostel” and all your kin. Those things aren’t horror movies, they’re just sickening.

If I think it’s a gross-out movie, I won’t watch it.

Which leaves 3 – the Scary Movie. I define scary as something that involves tension, characters I care about, an element of creepiness or the unexplainable, and something that makes me want to hide behind a pillow or watch between my fingers.

Before I move on into the movies, I have a confession to make. I’ve never seen a movie that scared me as much as two short stories have. If you want to understand what real horror is, I recommend “It’s a Good Life,” by Jerome Bixby and “I Have No Mouth and I Must Scream” by Harlan Ellison.

The first movie I can remember  being really scared by was the 1941 “Wolfman.” When I was just a little girl, it was showing on TV one day. All I remember is  hiding behind my Uncle Dock on the couch and being scared.

In 1958, “The Blob” showed in one of the theaters in Amory (yes, there were more than one back then). My Mom and my Aunt Bob went to see it and they took me and my two-years-older cousin with them. I would have been about 3 at the time, and all I remember from that was being scared and hiding under my Mom’s legs. Oh, and the theater floor was really sticky. Some things never change.

The next movie I can remember really being terrified by wasn’t technically a horror movie at all. Sometime in the early ’60s I saw on TV the 1953 version of “The Great Houdini,” starring Tony Curtis. I was so totally freaked out by his magic tricks and especially the thought of being trapped underwater that I had nightmares for weeks. That was weird.

After that came a long dry spell of uber-religiousity and no movies except what made it onto TV. I learned to love Alfred Hitchcock and found “Lifeboat,” “Rear Window” and “The Birds” to be nicely chilling. The first horror movie I saw on the big screen after that was “Halloween” in 1978. Holy cow. I was scared witless! I still think the original “Halloween” is the scariest of that whole bunch and never needed to be remade. I saw “Halloween” in Cincinnati on a weekend night when flash flooding was slamming the area and my friends and I had to drive back to West Virginia in the foggy rain in the middle of the night after watching “Halloween.” Yeah, it was a seminal experience. LOL

The next year, I was so terrified by the TV ads for “Alien” that I had nightmares and was afraid to go see the movie itself. When I finally worked up the nerve, it was, in fact, scary as all get-out. I still find it scary, and  I’ve probably seen it four times now. Just for the fun of it,  here’s  a list of movies I’ve found worthy of being called a “scary movie.”

* The Shining, until the end when it did something so different from the book that it jarred me entirely out of the mood.

* The Thing (1982), which has a wonderful tense and paranoid feeling going on until the special effects monkeys got out of the box and spoiled it with silly monsters.

* Freaks, directed by Tod Browning, 1932. “One of us, one of us…”

* Invasion of the Body Snatchers, 1956. I think this one is more or less a perfect horror movie. No monsters. No explosions. No gore. Just sheer nail-biting tension and queasy fear.

* Village of the Damned, 1960. Who could watch those sinister all-alike children and not be creeped out?

* The Innocents, 1961. Arguably the best ghost story movie ever made. Based on “The Turn of the Screw.”

* Carnival of Souls, 1962. I only saw this movie last year for the first time, and I have to say that it’s weird and creepy. It probably wouldn’t be scary or surprising to a contemporary movie fan, but for its time it was out there. Way out there.

* The Haunting, 1963. Based on Shirley Jackson’s classic “The Haunting of Hill House,” this movie still has power to scare the pants off the unwary. It was remade sometime in the ’90s, I think, but that version is wretched. The original still holds power to mesmerize, to draw you in and leave you as heart-thumping terrified as the unfortunate people who come to stay in a haunted house. This would still go on my list of Top Ten Scariest Movies Ever.

* Scariest movie I never saw: “Night of the Living Dead.” When it came out in 1968, I didn’t want to be anywhere near it. One of my cousins, who was just a bit older than me, went to see it and then told me the whole thing! Aaaargh! So I got the nightmares without even seeing the movie. Still haven’t seen it. Probably never will.

* The Wicker Man, 1973. The makers battled studios and everyone to get this made the way they wanted it, and it’s a creepy masterpiece. Do NOT be fooled by the remake with Nicholas Cage. *shudder* “The Wicker Man” depicts a modern man running headlong into an ancient and isolated way of life, and it remains eerie, with a surprising, maybe even shocking, ending.

* Carrie, 1976. Needless to say, this one hit a little too close to home for a chick who grew up in an uber-religious setting. Man, did I feel for Carrie. Her rage was frighteningly cathartic.

* The Omen, 1976. “All for you, Damien!” Need I say more? This one has a bit more  gore than is absolutely necessary, but it’s fairly easy to see it coming and close your eyes.

* An American Werewolf in London, 1980. This one is a bit more gory than I like, but it carries it off with such wit and charm that it’s impossible not to like it. And really good music. 😀

* Poltergeist, 1982. The tree. Need I say more? Okay. The clown doll. Yeah. Go calm down. I’ll wait here for you.

* Cujo, in 1983, reminded me anew that I was terrified of big  dogs. Dammit, Stephen King, that was not necessary!

* Aliens, 1986. Ripley in the orange mecha suit facing down the queen monster.  I’m not sure I’ve ever felt so empowered as by that scene. And I love Ripley, totally.

* Prison. A 1988 haunted prison movie that I bet you’ve never even heard of. I wouldn’t have either, except that my crazed fandom of Viggo Mortensen drove me to search it out. It’s a decent scary movie, directed by Renny Harlin.

* Jacob’s Ladder, 1990. One of the rare movies that affect me and my husband equally strongly. We couldn’t even talk after it was over, just walked out to the car in a daze and drove… somewhere… in a daze. Emotionally wrenching, the exterior horror elements of demons and whatnot never overpower the interior horror that the main cast members are going through. Another for my Top Ten list.

* The same year, “Misery.” Kathy Bates is awesomely terrifying as the “very best fan” of a stranded writer. *shudder*

* The Reflecting Skin, 1990. This post-World War II story twines the stories of a younger brother who’s become fascinated by the idea of vampires and an older brother who’s home from the Pacific following the deaths of their parents. Child abuse, vampirism, lonely love and the aftermath of bombing in the Pacific mingle to make an eerie, tragic story. Hard to find. This is another Viggo movie.

* The Kingdom. This was released  as an eight-part TV series in Denmark in 1994. Directed by Lars Von Trier, it’s eccentric, haunting, funny, terrifying … everything you could want from a horror movie. If you can, watch the Danish original. There was an American remake later, with Stephen King, and while it’s okay I find it’s not nearly a effective as the original. Even with subtitles.

Ooops, out of time. Will finish this later, maybe  tomorrow.

2 Comments

Filed under media consumption, personal

Review: The Blacksmith’s Daughter

First, I enjoyed this book, which is available as an ebook through MUSA/Euterpe and also through Amazon.

Second, I’ve known the author literally since she was born, and count her as a dear friend. Just to get that out there in the front of anything else.

That said, “The Blacksmith’s Daughter” is as good a fantasy first novel as any I’ve read in a while. Fantasy novels have certain things going for them, or against them, depending on personal preference. They have a fair amount of backstory/world-building to do before they can get deep into the story. Anybody who’s ever read Tolkien knows that this has been a challenge all the way since the Big Daddy First Fantasy to Rule Them All, The Hobbit/Lord of the Rings. If you’re the kind of person who loves to dive head-first into a new world, with unusual names and unheard-of places and Important People you need to learn and remember early on, then you’re already comfortable with reading fantasy and won’t have any problem with all these things.

If you’re not accustomed to it, you’ll find that the Prologue is a strenuous chew. But hang in there, all will come clear and you’ll find that you needed to know all that prologue.

About midway through chapter one, “The Blacksmith’s Daughter” really hits its stride and from there on out, there’s plenty of plot to pull the reader though the occasional bit of necessary fill-in.

“The Blacksmith’s Daughter” hovers on an edge between standard fantasy, mild romance, and the Young Adult category the publishers have chosen to put it in. While many of the tropes in the story are fairly standard fantasy, none of them comes across as cookie-cutter. The pint-sized heroine is great fun, unexpected and full of twisty quirks, unusual strengths and a quiet competence not often seen in fantasy females. I love that not only is she a blacksmith’s daughter, she’s a blacksmith herself.

Oddly, the main hero character engaged me the least. He was certainly fine, but nothing really sets him apart. The main hero’s long-time best friend is far more interesting a character. I’ll be keeping an eye out for him if and when the promised sequel comes along!

All-told, “The Blacksmith’s Daughter” provides everything a reader could want from a fantasy novel: Engaging main characters, entertaining secondary characters, wizardly wizards, icky bad guys, sword play and magic. And about that magic: I’m really hard on magical systems in books and movies, because so often it’s misused as an abrupt deus ex machina. Wave your arms and make everything sparkly and fixed: That kind of magic. So I’m pleased to report that the magic in “The Blacksmith’s Daughter” has clearly been well thought out and has sane uses and limitations. Thanks, Arley, for that gift.

In conclusion, I only have one more thing to say: Where are the maps? You can’t have fantasy lands without maps. LOL It sprains the reader’s tiny mind!

My recommendation: Read “The Blacksmith’s Daughter.” And when you’re done, let me know what you think about Enith.

Because I think she’s fab. Just like the chick who brought her to life: Well done, young wizard. Well done indeed.

 

2 Comments

Filed under fiction, links, media consumption

Book Review: Ghost Story, by Jim Butcher

First of all, if you don’t know who Jim Butcher is and you haven’t read any of his previous Harry Dresden novels, this is NOT the place to start. Got that? Start with “Storm Front,” the first of now-13 amazingly entertaining books about the adventures of Harry Dresden, Wizard for Hire.

 

 

 

 

 

 

 

 

 

 

That’s not to say that you have to read all the books, although once you’ve read one I defy you to stop. They’re like the best, most addictive potato chips ever. Compulsively readable. Butcher builds a strong cast of primary and supporting characters slowly through all 13 books, until it seems as if the stories are as much about Michael and Molly, Susan and the vampires, Thomas and the other vampires, Harry’s fairy godmother, Butters and Maggie and Mort and Kincaid and Ivy and Ebenezer and… the list goes on… as about Harry. And of course, they’re all about Chicago cop Karrin Murphy and Bob the Skull. Not to mention Mister the cat and Mouse the temple dog.

I’m reading back over that paragraph and thinking, sheesh, this sounds like just about the most twee thing since the invention of twee. But it isn’t. The cover copy on “Ghost Story” suggests crossing Buffy the Vampire Slayer with Phillip Marlowe, and that’s not far from accurate.

Harry’s a wizard. The supernatural obviously plays a huge part in his world. But you’ll find no Disney fairies or True Blood vampire hunks here. Dresden’s supernatural is vast, tricksy, and might just as well rip you to shreds as talk to you. Dresden himself, the character, pulls all these books out of the slop-bucket of quasi-fantasy crap that’s been sloshed on the SF/F reading world in recent years. Dresden is a loner, a smartass, witty and funny and capable of enormous destruction. He’s kind, will do anything for his friends and often for complete strangers, and he makes mistakes. Oh, boy, does he makes mistakes.

And his mistakes have consequences. Which brings me to “Ghost Story,” the 13th Harry Dresden novel, in which entire coops full of plot chickens come home to roost in Harry’s world. How he deals with the repercussions of past successes, past mistakes, and past failures is a large part of the driving force of the novel. Oh, there’s a standard plot, and it’s a terrific Dresden adventure on its own. But “Ghost Story” is more about reflection. It’s about the time which comes to most everybody, when you stop slogging and pushing and fighting to go forward and suddenly are forced to look back at what you’ve left in your wake. Intentional and unintentional.

Harry Dresden books don’t make me cry. This one did.

So… don’t start out with “Ghost Story.” But if you’ve got time to spare and you’ve been looking for a series that will entertain, enlighten, amuse and sometimes cause you to chew your fingernails, pick up a copy of “Storm Front” and start reading. And when you get done with “Ghost Story,” drop me a line. We can hold cyber-hands and get ready  to move on.

P.S. This feels kinda disloyal, especially after raving about the Dresden books so ardently. But Jim Butcher has another six-book series called “The Codex Alera.” I can’t recommend it. Truth be told, I’ve never managed to finish chapter one of book one. It’s dense and wordy and takes itself too seriously, for my tastes. And I love “The Lord of the Rings,” just to be clear on this. ;D

So Jim Butcher “Dresden Files” series, many many thumbs up.

Jim Butcher otherwise, you’re on your own.

2 Comments

Filed under media consumption, personal